Posted on Friday, February 19, 2016
By: Marjorie Galas
The visual effects work honored at the 14th Annual VES Awards reflected a journey of “going back home” as summed up by VES Executive Director Eric Roth.
“From the rise of the Millennium Falcon in ‘Star Wars’ to the return of the World Trade Center in ‘The Walk’, from the return to childhood in ‘Inside Out’ to Paul Walker’s performance being completed in ‘Furious 7’ we saw diversity represented, a look at the world around us and visual effects led us back home.”
After Roth left the stage, host Patton Oswalt repeatedly returned to the executive director’s unintentional (and completely unaware) flub of calling the evening’s Lifetime Achievement Award recipient Sir Ridley Scott “Sir Ridley Thomas.” Addressing the famed director everything from “Sir Eli Roth” to “Sir Scotley Rott” – humor Scott took in good stride. Oswalt’s first hosting gig resulted in “Gravity’s” sweep of awards, a feat that so mystified the comic he continues to weave it into his opening monologue.
“Just relax folks, we still have fifty or so more awards for ‘Gravity’ to give out,” joked Patton.
The comic couldn’t resist adding a few zingers capitalizing on the prior evening’s republican debate, noting if Ted Cruz were to win the VES staff could find him next year residing on Mars and eating potatoes like Matt Damon in “The Martian.” Never drifting too far off topic and keeping the pace tight, Oswalt did highlight the mastery of the field, weaving in mentions of “The Revenant,” “Game of Thrones,” “Ant Man” and “Mad Max: Fury Road” through his monologue with jokes such as:
“And what about ‘Mad Max?’ A 70 year old Australian dude handed every young action directory their asses?”
Winners throughout the evening gave credit to the talented crews and collaborators they worked with, and the evening’s Visionary Award recipient, Syd Mead, was no exception. The visual futurist and conceptual artist whose first feature was “Blade Runner” rounded out his acceptance speech by saying:
“When you go through life it’s nice to have someone to work with. I admire the expertise in this room – it is the best in the world.”
Upon receiving his award, Scott reflected on the creative approaches the visual effects artists have mastered – primarily through practical means – to overcome budgetary and artistic challenges, from “Alien” to “The Martian.” He recalled shooting a forest scene where mirrors were utilize to extend the scope of the location. The effect worked perfectly until pigeons began flying into the mirrors.
“We were creating a mirage and these pigeons would fly into the mirrors and crash to the ground,” recalled Scott. “Fortunately there were no casualties.”
The winners of the 14th Annual VES Awards are:
Outstanding Visual Effects in a Photoreal Feature Star Wars: The Force Awakens
Roger Guyett, Luke O'Byrne, Patrick Tubach, Paul Kavanagh, Chris Corbould
Outstanding Supporting Visual Effects in a Photoreal Feature The Revenant
Rich McBride, Ivy Agregan, Jason Smith, Nicolas Chevallier, Cameron Waldbauer
Outstanding Visual Effects in an Animated Feature The Good Dinosaur
Sanjay Bakshi, Denise Ream, Michael Venturini, Jon Reisch
Outstanding Visual Effects in a Photoreal Episode Game of Thrones; The Dance of Dragons
Joe Bauer, Steve Kullback, Eric Carney, Derek Spears, Stuart Brisdon
Outstanding Supporting Visual Effects in a Photoreal Episode Vikings; To the Gates
Dominic Remane, Bill Halliday, Paul Wishart, Ovidiu Cinazan, Paul Byrne
Outstanding Visual Effects in a Real-Time Project The Order: 1886
Nathan Phail-Liff, Dana Jan, Anthony Vitale, Scot Andreason
Outstanding Visual Effects in a Commercial SSE; Pier
Neil Davies, Tim Lyall, Hitesh Patel, Jorge Montiel
Outstanding Visual Effects in a Special Venue Project Fast and Furious: Supercharged
Chris Shaw, Alysia Cotter, Ben White, Diego Guerrero
Outstanding Animated Performance in a Photoreal Feature The Revenant; The Bear
Matt Shumway, Gaelle Morand, Karin Cooper, Leandro Estebecorena
Outstanding Animated Performance in an Animated Feature Inside Out; Joy
Shawn Krause, Tanja Krampfert, Jacob Merrell, Alexis Angelidis
Outstanding Animated Performance in an Episode, Commercial, or Real-Time Project SSE; Pier; Orangutan
Jorge Montiel, Sauce Vilas, Philippe Moine, Sam Driscoll
Outstanding Created Environment in a Photoreal Feature Star Wars: The Force Awakens; Falcon Chase / Graveyard
Yanick Dusseault, Mike Wood, Justin van der Lek, Quentin Marmier
Outstanding Created Environment in an Animated Feature The Good Dinosaur; The Farm
David Munier, Matthew Webb, Matt Kuruc, Tom Miller
Outstanding Created Environment in an Episode, Commercial, or Real-Time Project
Game of Thrones; City of Volantis
Dominic Piche, Christine Leclerc, Patrice Poissant, Thomas Montminy-Brodeur
Outstanding Virtual Cinematography in a Photoreal Project Star Wars: The Force Awakens; Falcon Chase / Graveyard
Paul Kavanagh, Colin Benoit, Susumu Yukuhiro, Greg Salter
Outstanding Models in a Photoreal or Animated Project Star Wars: The Force Awakens; BB-8
Joshua Lee, Matthew Denton, Landis Fields, Cyrus Jam
Outstanding Effects Simulations in a Photoreal Feature Mad Max: Fury Road; Toxic Storm
Dan Bethell, Clinton Downs, Chris Young,
Outstanding Effects Simulations in an Animated Feature The Good Dinosaur
Stephen Marshall, Magnus Wrenninge, Michael Hall, Hemagiri Arumugam
Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project
Game of Thrones; Hardhome
David Ramos, Antonio Lado, Piotr Weiss, Félix Bergés
Outstanding Compositing in a Photoreal Feature The Revenant; Bear Attack
Donny Rausch, Alan Travis, Charles Lai, TC Harrison
Outstanding Compositing in a Photoreal Episode Game of Thrones; Hardhome
Eduardo Díaz, Guillermo Orbe, Oscar Perea, Inmaculada Nadela
Outstanding Compositing in a Photoreal Commercial SSE; Pier
Gary Driver, Greg Spencer, Grant Connor
Outstanding Visual Effects in a Student Project Citipati
Andreas Feix, Francesco Faranna
To learn more about the Visual Effects Society please visit: https://www.visualeffectssociety.com/
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